We must have song and dance in our lives; we've had it ever since the inception of cinema in India. Our stories are very social-based, very human-based. We are a very emotional nation.
I believe I'm doing the right thing in trying to step away from that and to take chances and work on little independent films and do stuff like that wild dance scene.
Song, dance and cinema are so deeply within the Indian culture and with so many cultures incorporating their elements too, it has become a wonderful collage.
I always had an inferiority complex, like I wasn't good enough. I was shy. But dancing gave me so much joy, and I was good at it. I felt like a whole person because I could dance.
A lot of people insisted on a wall between modern dance and ballet. I'm beginning to think that walls are very unhealthy things.
My body was so instrumental to how I took pictures: it was practically a dance. I used to use my legs a lot; now I'm a little more sedentary.
There have been a lot of people involved in the growth of EDM's support in the U.S., from DJ/producers like David Guetta, Deadmau5 and Skrillex, to major festival organisers and pop artists of EDM integrating elements of dance music into their music.
Dance music is so interchangeable. There's not a lot of face to it. It's a bunch of Dutch DJs with the same haircut.
The dance commonly begins about the middle of the afternoon or later, after sundown. When it begins in the afternoon, there is always an intermission of an hour or two for supper. The preliminary painting and dressing is usually the work of about two hours.
I'm the interpreter. I'm the one who takes your words and brings them to life. I was trained to sing and dance and laugh, and that's what I want to do.
Sometimes, late at night on the set of 'Project Runway,' I've been known to pop an interpretive dance.
Who is Mike Judge? Let me think. The only way I could possibly answer that question would be in a nonverbal fashion. I think I could do an interpretive dance that would answer that question for you.
I was always a show-off with my friends; we used to have interpretive dance nights to Christina Milian and Sean Paul where we’d film it.
I do interval training, high intensity dance, and yoga. I do run a lot, but more for speed.
I've just become obsessed with ballroom dancing. I signed up for the introductory course, which was like a four-week thing. By the end of it, I was hooked. I love it. It's sort of flirty, but it's not sexual. I can't quit until I've got it down and I can really dance. I'm there four or five times a week.
Growing up as a little, introverted boy, dance was the only way I could communicate. For me, it's the greatest language - no words. Sharing people's stories through the art of movement is magical.
We Filipinos bond over food, music, dance, and shares stories. And to Filipinos, no matter who you are and where you come from, you always have an invitation to celebration.
For me, writing a novel is like solving a puzzle. But I don't intend my novels as puzzles. I intend them as invitations to dance.
I think most Irish people are creative. Whether it's music, or dance, or... certainly storytelling is in the blood.
While a lot of hip-hop was inspired by jazz or James Brown samples and was made to be played live in the clubs, I made hip-hop that was made for MCs to eat the mic up. It was an aggressive form of hip-hop. It was made just for hip-hop. It's not made to sing or dance to, though you can if you want.
