Getting emotional about things is a peacetime luxury. In wartime, it's much too painful.
I am an emotional and fragile person. I observe life, I am perceptive and can read a person's body language. I have a strong journalistic streak in me, and had I not been a filmmaker, I would have become a film journalist. I have combined my perceptive and journalistic traits to create my own brand of cinema.
Professional wresting is like performance art. It truly is. You're taking the crowd on a ride, on an emotional roller coaster.
When you write fiction, you can sort of invent more but also pack it with emotions that are very pertinent to you. Whereas with nonfiction, you have to be as factual as possible but also hopefully - also bring... emotional relevance to the piece.
The voice collects and translates your bad physical health, your emotional worries, your personal troubles.
I was one of those people who put too much emphasis on work and career and material possessions, and it took its toll on all my relationships, on my physical health, my emotional and mental health.
I've dealt with a lot of physical pain, with a lot of emotional pain; anybody's who's ever been an alcoholic has handled both of those in extreme.
Strength comes in so many forms. Not just the physical strength, but to understand the emotional strength. To have emotional vulnerability, to show that's not a weakness.
I'm very sensitive. Because my mum was my primary emotional caregiver growing up, I found myself being pinned into dresses, darting her dresses, choosing her high heels for the evening or what to wear. I'm very much a mommy's boy.
I'm a Pisces - emotional.
I am one of those guys who could do the most emotional scene and crack a joke instantly. I'm lucky. I'm just like an idiot savant. I have one enormously enjoyable, pleasurable - for me - talent, which is being able to act.
I was quite emotional when I finished my lap, but had to wait for other drivers to cross the line to hear whether I'd actually done it. It feels very special, but I acknowledge that the old master, Nigel Mansell, took his 14 poles from only 16 races.
But I'm not interested in politics. I lose interest the microsecond it ceases to be emotional, when something becomes a political movement. What I'm interested in is emotions.
I'm not interested in politics. I lose interest the microsecond it ceases to be emotional, when something becomes a political movement. What I'm interested in is emotions.
If the childhood obesity epidemic remains unchecked, it will condemn many of our kids to shorter lives, as well as the emotional and financial burdens of poor health.
When you are portraying somebody that has a very specific emotional weight, you feel like you're really starting to abandon your own body and go to someplace else.
I'm very emotional and possessive about all my films.
My music and my lyrics are essentially emotional postcards.
Japanese horror films take the business of being frightening seriously. There is no attempt at postmodernism or humour. They are incredibly melancholy, with a strong emotional core, while remaining absolutely terrifying.
For me, there's something about a certain kind of genre film that has real potency in its emotional landscape.
