"films"タグの名言

It's no good pretending that any relationship has a future if your record collections disagree violently or if your favorite films wouldn't even speak to each other if they met at a party.

Islam isn't about ayats and hadiths and niches and lamps. Its about us. All of us. Allah’s too big and too open for my Islam to be small and closed

Hasta la vista, baby.

We’re more proficient than women at arm wrestling, fresco-painting, ice hockey and particle physics. We make better cabinets, sun decks and booster rockets. We know how to read a map. In the movies, most Westerns and martial arts films would be poorer without our presence. ...So let’s renew our male mission and wear our antlers high on our heads. Let’s stand up straight, aim well, and exercise our prerogative to leave the seat up. After all, we’re MEN, and we hold a proud heritage in our hands.

I hate most people. And I don’t want to, it’s an awful way to be. But the human race gives me no comfort. I find myself turning to books and films for comfort still. It’s repulsive, because one’s life consists of people, not things.

Watch movies. Read screenplays. Let them be your guide. […] Yes, McKee has been able to break down how the popular screenplay has worked. He has identified key qualities that many commercially successful screenplays share, he has codified a language that has been adopted by creative executives in both film and television. So there might be something of tangible value to be gained by interacting with his material, either in book form or at one of the seminars. But for someone who wants to be an artist, a creator, an architect of an original vision, the best book to read on screenwriting is no book on screenwriting. The best seminar is no seminar at all. To me, the writer wants to get as many outside voices OUT of his/her head as possible. Experts win by getting us to be dependent on their view of the world. They win when they get to frame the discussion, when they get to tell you there’s a right way and a wrong way to think about the game, whatever the game is. Because that makes you dependent on them. If they have the secret rules, then you need them if you want to get ahead. The truth is, you don’t. If you love and want to make movies about issues of social import, get your hands on Paddy Chayefsky’s screenplay for Network. Read it. Then watch the movie. Then read it again. If you love and want to make big blockbusters that also have great artistic merit, do the same thing with Lawrence Kasdan’s Raiders Of The Lost Ark screenplay and the movie made from it. Think about how the screenplays made you feel. And how the movies built from these screenplays did or didn’t hit you the same way. […] This sounds basic, right? That’s because it is basic. And it’s true. All the information you need is the movies and screenplays you love. And in the books you’ve read and the relationships you’ve had and your ability to use those things.

I like the anonymity that directors can have about their films.

I'm not averse to being in big commercial films.

I usually make films with $2 and a paper clip.

When I became a film-maker, all my favourite films, they weren't comedies.

When my films don't do well, I'm hurt and surprised. It's discouraging.

In feature films the director is God; in documentary films God is the director.

'Duel' is one of the greatest suspense films of all time.

One of my favorite films is 'Dumb and Dumber.'

I never was fanatical about films when I was younger.

'A Prophet' is one of my favorite films of all time.

'Angel Heart' was one of my favorite films.

One of my favorite films is 'Let the Right One In.'

I prefer doing feature films.

I see wonderful films by Bertolucci, Visconti, and Fellini.