I have a very warm feeling about Kickstarter 'cause I think it's the best of what we can be. It's people who actually help out our fellow artists. We actually kind of go into our pocket for something. It's very rare.
Reading was not just an escape or a Band-Aid; it was a deep form of feeling seen and recognized, and being able to see and recognize other kindred spirits. My dad was a writer, too, which also likely had something to do with that.
I like festivals of all kinds: in 1969, I made a film about the first Pan-African festival in Algiers, which celebrated the countries that had been liberated 10 years earlier. There was a tremendous feeling of kinship.
I super strongly identify with marginalized communities. I'm not at all religious, but I feel super, super Jewish. I can't even describe the feeling, but it actually feels really similar to being gay, the kind of kinship that you feel with the LGBTQ people. That same sense of community is there with Judaism.
What I worry about is, if you are on the side of feeling it's disrespectful to kneel during the anthem, that somehow you're racist, or somehow you're not in favor of bettering this country and finding equality and common ground.
I spend my days kneeling in the muck of language, feeling around for gooey verbs, nouns, and modifiers that I can squash together to make a blob of a sentence that bears some likeness to reason and sense.
A cashmere knit is like a book. It is something to save and go back to time after time. It is the feeling of an embrace.
My mum taught me to knit when I was a child, and I turn to it, for some weird reason, when I'm feeling depressed.
Knitting not only relaxes me, it also brings a feeling of being at home.
When you label so much of what happens to you as 'bad,' it reinforces the feeling that you are a powerless pawn at the mercy of outside forces over which you have no control. And - this is key - labeling something a bad thing almost guarantees that you'll experience it as such.
With all due respect to 'The Vampire Diaries,' doing the same thing, over and over again, for essentially five years straight, it really becomes laborious and tedious, and it becomes a job. You obviously find gratification in acting, but you're playing the same character. No matter how compelling it is, it starts feeling pretty monotonous.
I get the feeling that characters are written female when they have to be, and all the other characters are male, and it doesn't occur to somebody that the lawyer, the best friend, the landlord, whoever, can be female.
The best feeling in the world is when you child just comes up to you and lays their head in your lap, for no other reason but just because.
Whenever I have given lectures to a large audience before, I have always looked for an ending that gives a 'wow' feeling.
In fiction you're not often writing about the typical; you are interested in outliers, the points of interest. Part of it comes from feeling I was the only Asian or person of colour... another part comes from my personality: I'm an introvert, and my usual survival mode in a large group is to stand by a wall and watch everybody.
In our usual mind state, we are continually activating the process that in Buddhist terminology is known as 'bhava,' which literally means 'becoming.' In this space of becoming, we are subtly leaning forward into the future, trying to have security based on feeling that we can hold on, we can try to keep things from changing.
And I agreed the feeling of action as he was flying or jumping or leaping - a flowing cape would give it movement. It really helped, and it was very easy to draw.
For me, feeling good is line drives to left field.
Anyone who has ever been an ugly adolescent - and we are legion - knows that the feeling of being unlovely and unlovable never goes away; it is always there, lurking just beneath the surface.
I have a fan who suffered with leukemia, and apparently, the only thing that helped him through that was my music, so of course that's the ultimate sense of achievement. It's an incredible feeling.
