There are lots of women tennis players, for instance, but because not many of them seem to have much personality, they're interchangeable. You don't have a feeling about them.
When my first play was produced, I had this sudden feeling that I feel powerful. Like, the next time I go into an audition room, and it's me and the same eight girls as always, I will have this thing that no one can take away from me. They can see us all as interchangeable. But I am not interchangeable.
I've got a feeling that music might not be the most interesting place to be in the world of things.
It's a very interesting thing because I can start mixing a song and leave the room and come back and maybe just slide one lever to a certain point, and it just - it's a certain feeling that it gives you when you know it's right.
When you're able to shoot in Europe and internationally, those locations don't lie. The feeling doesn't lie, the quality of the light. You can always tell when it's shot in London.
I can sleep anywhere! I can come off stage during the interval of a play, lie down for four minutes then wake up feeling better.
Men may feel just disempowered by intimacy, by being close to a woman, and also by feeling the tender feelings that they're ashamed of.
Sentimentality is intolerable because it is false feeling.
That feeling is so intoxicating, walking off the court holding the Larry O'Brien trophy. So I just want to do that again.
Definitely I love women, I love being around women, I find them incredible and intoxicating, and I've never had that feeling I get with women with a man.
I remember the first time I ever showed my parents a song that I had written. The content may have been a little darker than they were used to, or really introspective in a way that may have been uncomfortable. I thought they'd retaliate with some kind of judgment or concern about whether I was feeling all right, but they were proud of it.
I have a feeling of reverence about my father being in his 80s - a feeling that I want to whisper, take soft steps, not intrude too much. He's like a stately old cathedral to me now.
I've struggled so much, growing up, with just feeling that my life is valid because it's not filled with these hyper-dramatic moments, and I think a lot of people of my generation feel that way. We're so inundated with hyper-drama that people crave everyday life.
For people that are degenerates, if you've spent so much time feeling a certain way, it's actually uncomfortable to feel like a winner. The familiarity of losing is, in an inverse way, comforting. At least you know where you stand.
America is dumb. It's like a dumb puppy that has big teeth that can bite and hurt you - aggressive. My daughter is four; my boy is one. I'd like them to see America as a toy - a broken toy. Investigate it a little, check it out, get this feeling, and then get out.
Maybe it is worth investigating the unknown, if only because the very feeling of not knowing is a painful one.
Some entrepreneurs talk of a high burn rate, high advertising rate, and so on, with no outcome, so it doesn't impress me. But an entrepreneur who has that kind of a feeling of responsibility towards his investors is somebody who will have all my support.
Being halfway through my life, I think we start feeling less invincible and we start thinking more about the important things.
I do get invitations all of the time to play actual fantasy football, by the way, but I get the feeling that I'd like it too much. I have enough demands on my time. My fans would kill me.
I invite the entire spectrum, shall we call it, of feeling. Because that is my greatest resource as a film actor. I need to be able to feel everything, which is why I refuse to go on any kind of medication. Not that I need to! But my point is, I wouldn't even explore that, because it would get in the way of my instrument.
