The little town I was brought up in, I'd go to the film society to these very extreme sorts of films that you wouldn't normally see in the movie houses. But I never dreamed that I would get into the position to be shooting movies equivalent to the ones I loved as a kid.
I grew up in a family where, through my teenage years, I was expected to go to church on Sunday. It wasn't terribly painful. I thought some of the stories were neat; I liked some of the liturgy and some of the songs.
I prefer that animation reach into places where live action doesn't go, and it seems like all of animation nowadays is trying to go where live action is.
We always go out looking for live music after our shows.
Get out of your house and go see some live performance, for God's sake. There are people creating things just outside your window.
There are some commercial artists that have number one after number one, and you go to their show, and the show's one-note. Yeah, they're all hit songs. But there's no emotion, because they're the same kind of hit songs, because they're what works at radio. That kills live shows for me.
The behind-the-scenes kind of process at TV, especially live television - that was super scary, but I think it's made me more comfortable now. If I ever have to go on live TV, I at least remember what it was like when I was 16.
Everything I've done I've always kind of jumped in headfirst, and it's been a learning curve. Even MuchMusic, I had never done live television before, and all of a sudden you show up, and they're like, 'You ready kid? Let's go.'
I've always been afraid to do a solo show. When I go to see the great solo shows of Liz Callaway or Christine Ebersole, they have so many incredible stories to talk about, and their material and lives are so rich. I've always worried that my life was not rich enough.
I asked, 'What is this guy?' They said, he's part-fish, part-bird, maybe a bit of lizard, and you don't have to go through five hours of makeup to play him. That was good enough for me.
If you go away on location for three months and your wife stays at home, you've made a whole new load of friends and she's made a whole new load of friends and you get home and you're kind of strangers.
I got sick of the dough, and thought I'd go on the loaf.
When I was growing up in Chicago, my family and I used to go to a local chain, Hackney's, for burgers and their French fried onion loaf. I probably haven't been to one in 25 years, and yet, I once saw Donald Trump from behind in an office building and the first thing that flashed in my mind was his hair looked like that onion loaf.
You know, a lot of people are loath to go to an orchestral concert because they are intimidated by the thought.
If you're a writer, you know that the stories don't come to you - you have to go looking for them. The old men in the lobby: that's where the stories were.
I have always wanted to learn the piano, but because I travel so much, I can never get any consistency of lessons. So everywhere I go, if I can find a piano, even if it is in the lobby of a hotel or something, I go on YouTube and pick some songs to learn.
No one questions the right of individuals to go to the Central Lobby to explain their views to their own Member of Parliament. It is important for those in power to hear arguments in favour of policies from all sides and ought to lead to better decision-making.
I'm disappointed that Senator DeWine once again chose to go along with his party leaders and their big corporate lobbyist supporters. Ohio deserves a Senator who will be more than a rubber stamp.
The bottom line is we need a tax code that is more simpler, that is more fairer, that gets rid of the special carve-outs, the special lobbyist loopholes. That's the direction we need to go.
When you go to your local police officer, your police chief in the town you live in, big or small, he will tell you the vast majority of the weapons recovered at a crime scene are either stolen weapons, and/or they have been 'lost' or stolen.
