I remember being a student, and I would go every Friday to the Louvre and stay for ages, just walking around.
The woods are lovely, dark and deep. But I have promises to keep, and miles to go before I sleep.
The way I go about a lovemaking scene is that we will talk about it during the rehearsing time.
I did go through a period where I was on unemployment. That was my low point: Martha Quinn on line at unemployment, hoping nobody will recognize her.
I didn't want to go down any scarier path of low self-esteem than I was already on the track for. So during my second year of college I was like, 'I'm over it! I have to go see what this other thing called life is about!'
I learned from making a few of these low-budget videos early on that the best way to go about doing it is just to keep it honest and real.
That was the magical thing about the Seventies: artists ruled. Because films were relatively low-budget, nobody cared. We could just go off and work.
Right from the start, I loved the works of Mark Twain. Every time I read about Tom Sawyer, I'd go out and do something low-level naughty, just like him.
The benefits of prison education go beyond lowering recidivism rates and increasing post-release employment. It can also rekindle a sense of purpose and confidence.
My style is ambiguous and lucid. I wish to be signified but not summed up. I don't want to have to go over the top each time.
I love Lucille Ball. But you don't call that Shakespeare. It's just entertainment, you know. And if you like that, then go have a ball, have fun.
When I go back to the core of my childhood, my cousin Lucy seems always to be in the peripheral vision of my memories. She is off to one side, always off to one side, with a book, with a scheme or a project or an enterprise.
I love people that go the distance. I hate things that are lukewarm. They've got to be one way or the other and go all the way.
You go to any MBA program, and you will be taught the theory of the firm, that the purpose of the firm is the maximization of return on invested capital. I always thought this was a kind of lunacy.
The editors and the creators of 'The Bachelor' and 'The Bachelorette,' they are so good at casting and at finding these young, beautiful lunatics to go on the show.
I used to collect hockey cards. It was like Vegas at my school. You'd go to school with your box of cards, and at recess and lunchtime there were all these games we'd play.
Even when I am writing I usually take a break around lunchtime and go for a little walk to clear out my head.
You've gotta play a head game; especially blocking shots, you've gotta make it hard. You're playing against the best of the best: they're not gonna go straight to the basket, do a layup. You've gotta lure them into some shots.
When I go to the shore, I take along the poems of Pablo Neruda. I suppose it's because the poems are simultaneously lush and ripe and kind of lazy, yet throbbing with life - like summer itself.
In L.A., it's not on the surface. Everything is in the cracks. The restaurant out front will look like this old, boring place, and you'll go inside, and it's this lush, beautifully designed restaurant.
