There's nothing cooler than a good fitting, worn-in pair of Wrangler jeans, so it's great that with the new Retro line, my fans can go out and rock the same styles that I love.
I go to Japan every November on vacation, and the one thing I never return home without is yuba, which is the thin skin that forms atop boiling soy milk. You skim it off and either eat it fresh or dry it.
Intimacies between women often go backwards, beginning in revelations and ending in small talk.
Because what happens is, as the economy suffers, tax revenues go down. But unlike businesses, where at least your variable costs go down, in government your variable costs go up: unemployment insurance, workmen's compensation, health care benefits, welfare, you name it.
We have witnessed a stunning reversal of power between mainstream and social media: The ability to go direct to end users of information through social channels radically disrupted the mainstream news agenda.
We go along, without a fixed itinerary, yet at the same time with an end (what end?) in mind, and with the aim of reaching the end. A search for the end, a dread of the end: the obverse and the reverse of the same act.
I've lived long enough to know things go in and out of fashion, and things not well received now can be totally reversed years later.
Very few people go into politics to be reviled.
I try to write very fast. I don't revise very much. I write the poem in one sitting. Just let it rip. It's usually over in twenty to forty minutes. I'll go back and tinker with a word or two, change a line for some metrical reason weeks later, but I try to get the whole thing just done.
I like to think of 'the studio' as a laboratory where I can go in, learn tricks, apply, revise, and release. I'd figure I had about the same emotional attachment to my craft as a guy over at NASA does over... NASA stuff.
I'm constantly revising. Once the book is written and typed, I go through the entire draft again.
When revising, consider whether you have written anything that will hurt or offend a member of your immediate family. If the answer is no, go back and add something.
Everything in our lives revolves around our jobs, as much as we hate to say it. Where we live at, where our kids go to school, what we eat, what lifestyle we live, depends on the income we bring in and being able to provide for your family, and that's your employment.
So you have to keep waiting and then they give you the script and it's terrible. Then you have to go to the rewrite and they're very upset because you didn't like it. I went through that for seven years.
Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
Once I get over maybe a hundred pages, I won't go back to page one, but I might go back to page fifty-five, or twenty, even. But then every once in a while I feel the need to go to page one again and start rewriting.
I've worked on movies that are being rewritten as you go, but you take so long and so much time doing it, that it's not really an issue knowing what's going to happen or how the movie is going to end.
I hear a little firecracker go off when you come up with a good rhyme.
I wanted to represent the brothas I have seen when I go to the rhythm section of Oakland, hearing brothas speak and tell me about their journeys. Men who have been to prison and found themselves, brothas who have made mistakes but are loving their wives and children, trying to protect them and educate them. These men do exist.
Pabst Blue Ribbon. I'm from Johnson City, Tennessee. I gotta go Pabst.
