Most women who go public with #MeToo stories are fearful for obvious reasons. There is the pain of reliving traumatic experiences. There is the rage of not being believed.
Post traumatic stress disorder starts out with nightmares, flashbacks and actually reliving the event. And this happens over and over and over and over in your mind. If you let it go on, it can become chronic and become hard if not impossible to treat.
While acting, you just go with the flow of what you are feeling, but dubbing requires recreating and reliving those emotions all over again. So it's very necessary to match up to the performance in front of the camera.
It takes some discipline and hard work, but relying on credit when things go wrong is a trap.
Remarkably successful people habitually do what other people won't do. They go where others won't go because there's a lot less competition and a much greater chance for success.
When I was 13 years old, I went to visit my aunt and uncle in Washington, D.C., and they just deposited me at the National Gallery. I would go from Rembrandt to Picasso - I remember that experience so vividly.
I try to remind myself not to go anywhere or do anything without asking for spiritual direction through prayer and meditation.
'Never Have Your Dog Stuffed' is really advice to myself, a reminder to myself not to avoid change or uncertainty, but to go with it, to surf into change.
In the private sector, there is always innovation. There's always change. There's always improving productivity, and if you're not leading that, you'll be passed and ultimately go out of business. So there's an urgency to constantly update and renew and to rethink your enterprise.
When onstage, I always try to take my audience through as many emotions as I possibly can. I want them to go from laughter to tears, be shocked and surprised and walk out the door with a renewed sense of themselves - and maybe a smile.
'The State' had never done improv. We used to go over scripts for weeks and argue about every joke. But I don't know how we would have scripted 'Reno.'
The major difference between a thing that might go wrong and a thing that cannot possibly go wrong is that when a thing that cannot possibly go wrong goes wrong it usually turns out to be impossible to get at and repair.
Repealing the Eighth Amendment is about women who don't want to be pregnant. It's not about a certain type of woman, a certain age of woman - we all known sisters and mothers who have chosen to go on with a pregnancy and those who haven't.
I do not like to repeat successes, I like to go on to other things.
All I know is that as an audience member, I am less and less inclined to go to the theater. But that has to do with content and also because the venues seem to be actively trying to repel people.
When I was beginning, a young actor could go from repertory company to repertory company. I did that and loved it. I was also lucky.
I started doing repertory theatre in upstate New York when I was 15, went back when I was 16, and by that time decided that I really wanted to study drama seriously and go to an acting conservatory called Carnegie-Mellon University in Pittsburgh.
Sometimes I feel weird about time. Sometimes I feel that it doesn't go in the order we perceive it. There are... repetitions that maybe we decide not to notice because it is simpler. I like to pick up on those moments.
I'm not the type of guy to go so deep with the concept songs, but there's deep thought in everything. Maybe it's not just a repetitive hook telling you what the song is about - you have to use your brain a little bit.
So who or what is to blame for baseball games that go on forever? Two oft-cited culprits are constant replay calls and batters who leave the box in between every pitch to adjust their gloves and helmet and shin guards and elbow pads and then knock the dirt off their cleats before working up their stride for the next at-bat.
