Prose is architecture, not interior decoration, and the Baroque is over.
Nothing is so discouraging to an actor than to have to work for long hours upon hours in brightly lighted interior sets.
A spacecraft cockpit interior is a set where there are a lot of little techy bits, control panels and graphics displays, and other things that are kind of a job to manufacture well.
With screenplays, it's all about being as concise as possible. If you have a scene that's set in a bar, you just have to write, 'Interior: Bar.'
I had a huge interior world as a kid: I'd sit on endless wet holidays in Cornwall playing with paper dolls.
I don't like interior decorating. It looks gorgeous, but it doesn't have that lived-in look.
I worked at Bergdorf Goodman doing interior decoration.
Interior decoration partly thrives on being social.
Houses are one of my passions. I probably should have been an interior decorator.
I'm a caterer, interior decorator - a lot of hobbies people don't know I do.
Before I was rapping, I was an interior designer and decorator.
I'm no interior decorator, but just I have a feeling that plastic plants in the bathroom... probably not a good idea.
I worked as an interior designer. I worked as a furniture salesman. I worked as a financial adviser. I worked as a painter and decorator - that wasn't for very long. I was a baker for about four-and-a-half years.
I wanted to be a decorator. I wanted to interior design homes and do everything myself.
I've never wanted to become a politician, an interior decorator, I've never wanted to speculate and make a load of money. I just wanted this.
The exterior cannot do without the interior since it is from this, as from life, that it derives much of its inspiration and character.
Voyager found Saturn to be a planet with a complex interior, atmosphere, and magnetosphere. In its rings - a vast, gleaming disk of icy rubble - the mission recorded signs of the same physical mechanisms that were key in configuring the early solar system and similar disks of material around other stars.
I had no inducement to proceed further into the interior. I had been sufficiently disappointed in the termination of this excursion, and the track before me was still less inviting.
The interior of the house personifies the private world; the exterior of it is part of the outside world.
The cinematic language and interior destiny of each Iranian film-maker is different. The international influences on them vary from Rossellini to Fellini, Akira Kurosawa to Hou Hsiao-hsien, but there is a strong sense of solidarity.
