It gives me goose bumps and little butterflies in the stomach when I start thinking about the 'golden slam.'
Comedy to me is all about the bumps and bruises and weird tics.
All the scars on my body, all the bumps and bruises, all the muscles - that is a story of everything I have done. And it's not just my story. My ancestors who came before me gave me this vessel to sculpt and mold.
My past seems to be way more fascinating for people than my future, which bums me out.
I'm tired of playing people who are complete washouts and bums. I don't mind waiting for the good ones to come along. It's like age. It's never bothered me. I've even forgot my birthday. Many times I've wondered if I should tell my real age, but now I think it's an honor, to be doing what I'm doing now at my age.
Compared to dancing, films seemed to me to be the work of lay bums. There was no physical pain; it was enough to say and imagine what was in the script. It was very easy for me.
It's always the girl comedy and the guy comedy. It bums me out. You'd think there'd be a progression, from James L. Brooks and Nora Ephron into more subtle humor and behavior and psychology. All these interesting things people can learn about themselves by watching talented writers comment intelligently on someone else's emotional life.
But for me to have the opportunity to stand in front of a bunch of executives and present myself, I had to hustle in my own way. I can't tell you how frustrating it was that they didn't get that. No joke - I'd leave meetings crying all the time.
I'm a pretty funny guy, and I would love to do a comedy with a bunch of funny guys - movie-star guys, where they could help me through it.
Luckily for me, I genuinely like my audience. They really are a good bunch.
Now and then, when I grow nostalgic about my ocean childhood - the wauling of gulls and the smell of salt, somebody solicitous will bundle me into a car and drive me to the nearest briny horizon.
When I was 3 my parents put me in gymnastics because I was a bundle of energy and they just didn't know what to do with me! They put me in a Tots class and I just fell in love with it.
I was always a great bundle of energy. As a child, instead of walking, I would run. And so running, which is a pain to a lot of people, was always a pleasure to me because it was so easy.
Making music has always made me happy. When I go through a situation, the best way for me to get over it is to bundle up all of my emotions about it, put it in a little shell, create something, and then let it go.
That wasn't the way that things was supposed to be. And all because the so-called culture that I thought was right, that I thought it was cool, and I thought it was fun, and it was exciting at the time. It all led to me laying in a prison bunk by myself with no one to talk to but myself.
There is a slight tomboyish side to me. But I was studious, and I did not bunk classes!
For 'The Grey Album,' I'd been thinking about the good side of lying - lying as a kind of improvisatory act in black culture. Afterward, it nagged at me because there are those other kinds of lies that I think are all around us, and I was fascinated about hoaxes in general. So 'Bunk' became a natural extension of 'The Grey Album.'
Being in Loyola College exposed me to other options and gave me confidence, apart from the freedom to bunk classes. I became a merchandiser and then a garment manufacturer, and interacting with foreign buyers and manufacturing foreign brands in India gave me a high.
I've got that resilient thing inside me. But I wasn't a happy bunny.
As for being a little bunny that never says a word, that is truly the opposite of me.
