One of our fundamental human needs is finding our partner that we hope we will stay with for the rest of our lives. You often find the same search in other genres. The mystery novel has a romance subplot. Literary novels often focus on that relationship but do not often end well.
In human relationships, kindness and lies are worth a thousand truths.
It's a human right to be able to have a relationship.
There is a myth that those who do humanitarian work have a saviour mentality, but the relationship is reciprocal.
If I go into a relationship with an artist, which at most is going to last five years, we have a 100-page contract covering every eventuality. Whereas with marriage you go into it with no contract, with laws that date back hundreds of years, and I don't think that's right.
Sometimes in life, mutual respect becomes most important, and giving due respect to our relationship, Komal and I have amicably decided to part ways legally as husband and wife.
You just got to remember that mine and Dana White's relationship is like we're a husband and wife. I do the man's stuff around the house. I do the fighting, all the man's stuff, and he does all the woman stuff - all the yapping.
We've suspended the willing suspension of disbelief. We have given up that relationship, that almost hypnotic engagement, with the characters up on the screen.
People can see themselves in a story much easier than they can see themselves in a hypothetical situation that a brand might present to them. So telling stories to build a relationship with your audience is usually far more effective than other methods of marketing or publicity.
I feel like the people from Iceland have a different relationship with their country than other places. Most Icelandic people are really proud to be from there, and we don't have embarrassments like World War II where we were cruel to other people.
People have a very proprietary relationship with Superman. It's important to respect the iconography and the canon, but at the same time, you have to tell a story. Once you land on who you think the character is and what his conflicts are, you have to let that lead you.
I wouldn't mind working in restaurants again because you build up a relationship with the customers. I'm really inspired by the mundane - it's often the most ordinary-looking people who have the best stories - and you can watch diners and study their idiosyncrasies without them being aware of it.
In the same way you pick idly at chips, promising this is literally your last one, you may be in a relationship that you know isn't going anywhere, but you're hungry for love, and it feels less frightening than nothing.
If you love someone, set them free. If they come back they're yours; if they don't they never were.
I let go of the notion of wanting someone to ignore the way I look in order to find me attractive, because really, what kind of relationship would that be? One where someone's only attracted to you because they're ignoring a fundamental part of you? No thanks.
Since the beginning of the 20th century, the public's relationship to art has been weakened by a profound institutional reluctance to address the question of what art is for. This is a question that has, quite unfairly, come to feel impatient, illegitimate, and a little impudent.
There is a triangular relationship between poverty, child labour and illiteracy who have a cause and consequence relationship. We will have to break this vicious circle.
In other words the pictures are in a kind of relationship with each other which is touching only at points rather than pictures being illustrations of poems or poems extrapolations of the pictures.
There's such an extreme feeling to be in love, especially in quite an emotionally destructive relationship, where you're both kind of really bad for each other, but you love each other so much. Those extreme emotions, I think, can only be described with extreme imagery.
Offset is helping to expand our relationship with large enterprises and serve a broader set of imaging.
