It doesn't matter the kind of music, it doesn't matter whether it's a cowboy hat or a yarmulke. I don't care if it's outer space or pop, the spirit is the same.
I always wanted to be a cowboy, and Jedi Knights are basically cowboys in space, right?
I think we always view people who make us feel uncomfortable and appear to intrude on our middle-class cozy space, we view them with, if not hostility, at least suspicion, discomfort, embarrassment.
You look at women like Lena Dunham, you look at how women are kind of crafting their own space on the screen. I want to add to that.
Writing plays supplied for me everything that painting didn't, which is the ability to tell stories in real time, in a real space, in three dimensions, in flesh and blood. I realized I had been trying to cram all this narrative into my paintings, but ultimately painting was a static medium. So it just opened up this whole new door.
For me, architecture is not just creating a space to protect people but to make them dream as well.
I call my tiki bar my tiki office, even though I also entertain out here all the time. This beautiful, open-air space is such a creative environment for me. It's where my writing partner and I wrote much of the script for a Mamas and Papas biopic that's in the works, and where I have my meetings.
Then finally I said, 'Okay, well, I want to know all the details. I want creative input. I want to be consulted. I want to know what they're doing and who's involved. And I want to see the space.' So they took me to see it, and then I realized it was major! All these red flags on the Rue de Rivoli with my name on them right by the Louvre!
Our goal is to really have young women of color embrace the tech marketplace and the tech innovation space as both leaders and creators.
There are no passengers on spaceship earth. We are all crew.
We're going to be focusing our science on things that will take us farther and longer into space. For many of those experiments, the crew members are human guinea pigs, which is fine; that's part of my job. I don't mind being a human guinea pig.
When I was 13, I thought I was pretty hot stuff because I knew BASIC programming, self-taught on the family's Commodore 64. One of my crowning accomplishments was writing a silly little program that showed a crudely-drawn Space Shuttle lifting off in a cloud of pixelated smoke.
Can you imagine, in 2030, taking a space cruise on the very ship that carried the first human beings to Mars? I can't believe that people wouldn't line up for that possibility.
When I pull my white Range Rover into disabled parking bays, the abuse that I get until I actually get out on my crutches is phenomenal, because people presume that you couldn't possibly be disabled and reverse a white Range Rover into that parking space.
I think the crux of the matter was that if we were going to become partners in, for example, the International Space Station, we had to gain the respect of a country like the United States and particularly its space organization, NASA.
We are seeing more managed money and, to an extent, institutional money entering the space. Anecdotally speaking, I know of many people who are working at hedge funds or other investment managers who are trading cryptocurrency personally, the question is, when do people start doing it with their firms and funds?
Some astronauts describe the routine flushing of urine into space, where the freezing temperatures turn the droplets into a cloud of bright, drifting crystals, as being among the most amazing sights they saw on an entire voyage.
Find joy and solace in the simple, and cultivate your utopia by feeling the Tao in every cubic inch of space.
Of course, 'Portlandia' is all about ways that people curate their physical space and their life.
The privilege I've had as a curator is not just the discovery of new works... but what I've discovered about myself and what I can offer in the space of an exhibition - to talk about beauty, to talk about power, to talk about ourselves, and to talk and speak to each other.
