It takes stamina to get up like an athlete every single night, seven to eight performances a week, 20 weeks in a row. And there are many young performers who only learn their craft in the two minute bits it takes to film a scene. You never learn the arc of storytelling, the arc of a character that way.
I think my iTunes is a kind of strange and embarrassing mix of show tunes and artists that I have no perception of whether or not they're huge or not, you know? I'm the kind of person who doesn't realize that The Arcade Fire is a big deal, but then I expect everybody to know Cocoon, and people tend to not know Cocoon.
Arcade Fire has kept their indie cred. They will sell out stadiums yet still have underdog status. But when you're a band like Coldplay, people are waiting to knock you down.
L.A. is so focused on TV and film that theater is kind of an arcane sport. People look at you like you're doing something cute.
For a lot of people, well-meaning teaching has made poetry seem arcane, difficult, a kind of brown-knotting medicine that might be good for you but doesn't taste so good. So I tried to make a collection of poetry that would be fun. And that would bring out poetry as an art, rather than the challenge to say smart things.
You say to a brick, 'What do you want, brick?' And brick says to you, 'I like an arch.' And you say to brick, 'Look, I want one, too, but arches are expensive and I can use a concrete lintel.' And then you say: 'What do you think of that, brick?' Brick says: 'I like an arch.'
All art is dependent on technology because it's a human endeavour, so even when you're using charcoal on a wall or designed the proscenium arch, that's technology.
We're still living with the old paradigm of age as an arch. That's the old metaphor: You're born, you peak at midlife and decline into decrepitude.
If the height of the heel is the same as the length of your foot, it starts to look wrong. And if the heel is positioned badly on the sole, you get into ballerina territory, where the body is pushed into a very strange posture. You can exaggerate the arch only so much.
Behind the proscenium arch, you can't always hear what people in the audience are saying.
A cigarette is a breathing space. It makes a parenthesis. The time of a cigarette is a parenthesis, and if it is shared, you are both in that parenthesis. It's like a proscenium arch for a dialogue.
The camera lens or the television camera is still just a proscenium arch. And as a great old character actor once said to me, wherever you're acting, you reach up and take hold of the proscenium arch, and you pull it down around your shoulders.
Trimming is tricky. If you trim the eyebrow too much, you ruin the arch. Eyebrow hair has a curl and when you brush and cut it, it's easy to snip it too short.
Why do you speak to me of the stones? It is only the arch that matters to me.
I've come to the conclusion that mythology is really a form of archaeological psychology. Mythology gives you a sense of what a people believes, what they fear.
The only technology that can 'see' beneath the ground is radar imagery. But satellite imagery also allows scientists to map short- and long-term changes to the Earth's surface. Buried archaeological remains affect the overlying vegetation, soils and even water in different ways, depending on the landscapes you're examining.
You think looting is bad in Egypt, look at Peru, India, China. I've been told in China there are over a quarter-million archaeological sites, and most have been looted. This is a global problem of massive proportions, and we don't know the scale.
I can't tell you the number of times I've been walking over an archaeological site. And you can't see anything on the ground, and pull back hundreds of miles in space, and all of a sudden you can see streets and roads and houses and even pyramids.
One of the things that I love to do is travel around the world and look at archaeological sites. Because archaeology gives us an opportunity to study past civilizations, and see where they succeeded and where they failed. Use science to, you know, work backwards and say, 'Well, really, what were they thinking?'
I was thinking recently, I've always loved the ocean. If I could do it all again, I might do an oceanography degree. You can do ocean archaeology, and I thought that might be fascinating to do - man-made structures, where the sea has risen above the structures.
