I can't see much purpose in archaeology unless you can find out the narrative about that place, or even realise that nobody actually knows what the narrative was.
There are huge pluses in Scottish archaeology that you simply don't get elsewhere. Partly that's to do with the tragedy of the clearances, and that so much of the landscape has been owned by so few people that didn't want it messed around with.
When talking about writing, I often use the analogy of archaeology. There are these great tunes all around. Your skill as a musician allows you to pick them out without breaking them.
There's even an aircraft sensor system that sends down hundreds of thousands of pulses of light measured at different return rates. It allows you to literally strip away vegetation and see entire cities beneath the rain forest canopy. This is the unbelievable future of archaeology.
All over the world, we're finding out that, you know, whether it's Egypt or Syria or Central America, what satellites are showing is that there are hundreds, if not thousands, of previously unknown settlements all over the world, and what archaeology does, it helps us to understand this common humanity that we have.
When you think about archaeology, archaeology is the only field that allows us to tell the story of 99 percent of our history prior to 3,000 B.C. and writing.
I couldn’t tell you what the standing is in radio, I’m in the streaming world. I’m in the podcasting world. Radio just sounds archaic almost. It’s a never-ending battle. I’m so glad I’m retired so I don’t have to see the nonsense.
The rawness and the richness of music on vinyl almost went away, but it still seems to be on a lot of people's radar, and for good reason. It does something different than more accessible means of music playing, like MP3 players and downloads and whatnot. You get in front of these archaic contraptions that go 'round and 'round.
Everyone says Francois Mitterrand had huge charisma. But before he was president they used to call him badly dressed, old, archaic and say he knew nothing about the economy... until the day he was elected. It's called universal suffrage. When you're elected, you become the person that embodies France.
If you see a wonderful archaic Greek marble object in a museum, it's not only that it's beautiful, but what comes to your mind is the fact that it's 2,600 or so years old, and it was done by a human being at that time who you have such a limited ability to grasp - and yet you have this enormous ability to grasp.
Green Arrow was a very complicated character to take on because he has archaic weaponry. Catwoman, I think is more of a simple archetype to grasp, so it will be about nuance. But I think you need three or four issues before you say, 'Ah ha! Now I really know how to write this character!' You're carrying them around with you.
What I worry about and don't like is the way in which the ideology of multiculturalism has declined into cultural relativism. I think that's very dangerous. When the Archbishop of Canterbury, for God's sake, says that you can't have one law for everybody... that's stupid.
I think there's a mythology that if you want to change the world, you have to be sainted, like Mother Teresa or Nelson Mandela or Archbishop Desmond Tutu. Ordinary people with lives that go up and down and around in circles can still contribute to change.
I am shy to admit that I have followed the advice given all those years ago by a wise archbishop to a bewildered young man: that moments of unbelief 'don't matter,' that if you return to a practice of the faith, faith will return.
Even when I was Archbishop of Wales and working with new bishops, I used to say, not realising quite how true it was, 'One of the things you will do as a bishop is disappoint people'.
I've always felt you unearth story, like you're on an archeological dig.
In piano, if you try to force hitting this key and that key, it's very broken. It's not pretty. When you're in archery, you can't try to force it step-by-step-by-step. Then the shot doesn't flow and it's not a good shot. If you just let the performance flow, it's really beautiful.
Personal identity seems like it's just such an American archetype, from Holly Golightly re-inventing herself in 'Breakfast At Tiffany's' to Jay Gatsby in 'The Great Gatsby.' It seems like the sort of archetypal American issue. If you're given the freedom to be anything, or be anyone, what do you do with it?
You have to think of your brand as a kind of myth. A myth is a compelling story that is archetypal, if you know the teachings of Carl Jung. It has to have emotional content and all the themes of a great story: mystery, magic, adventure, intrigue, conflicts, contradiction, paradox.
Steve McQueen was from a time when you didn't know every little dirty thing about our public figures. He and James Dean were very mysterious, archetypal American heroes.
