"camera"タグの名言

Most of the movies are working like, 'Information, cut, information, cut, information, cut' and for them the information is just the story. For me, a lot of things [are] information - I try to involve, to the movie, the time, the space, and a lot of other things - which is a part of our life but not connecting directly to the story-telling. And I'm working on the same way - 'information, cut, information, cut,' but for me the information is not only the story.

The best traveler is one without a camera.

It's easier to face the camera than life. As in the former the script is known.

I love the camera; there's something very special and sensual about it, and I have a tendency to call it a he, like it was a man. But, unlike a man, a camera is accepting of everything I do.

Some people, myself in particular, have an adversarial relationship with the camera, and it sprouts up in every photograph.

'CSI' was a little cutting-edge at the time because it made TV look like movies. It was shot in that Jerry Bruckheimer style with dolly shots, putting the camera on rails so stylistically, it looked aesthetically more like a film.

A movie camera is like having someone you have a crush on watching you from afar - you pretend it's not there.

That is - the use of the subjective camera is an idea that's been around in movies for a long, long time. And it's an idea that was seized on very notably by Sam Fuller and by Alfred Hitchcock in two different very kind of - otherwise very different styles of filmmaking.

I tried to keep both arts alive, but the camera won. I found that while the camera does not express the soul, perhaps a photograph can!

My house is full of antics, mayhem, foolishness, carrying on, cutting up, shucking and jiving, and I have that whether cameras are there or not. Our youngest just had us up with her shenanigans and hijinks all night. So, it's all the time, even off camera.

I'm quite shy. Television presents an amplified version of yourself. When I'm on camera I'm pumping more adrenaline, I'm being a bit more engaging than I am in everyday conversation, but that's normal, isn't it? Otherwise nobody would want to watch.

Back in the day, I actually studied photography in Florence for a few months, and my photography teacher took away my digital camera and said, 'No, use this - it's analog and it's square.' It was a Holga camera, a very cheap $3 or $4 plastic camera. And that's what inspired 'Instagram'.

I might have been one of the first 'SportsCenter' anchors that complained that I wrote this great lead-in setting up a highlight, and that as I'm doing it, on camera, the final score is scrolling underneath my head.

Andy was an offbeat personality, shy and insecure. The whole reason for taking a camera with him wherever he went was because he was so shy. He'd break the ice by taking pictures.

Like everybody, I wanted to meet Andy Warhol. I was impressed by his work and how daring he was. I think he changed the cinema completely, simply by opening his camera and letting it go.

For a period of time, I carried cameras with me wherever I went, and then I realized that my interest in photography was turning toward the conceptual. So I wasn't carrying around cameras shooting stuff, I was developing concepts about what I wanted to shoot. And then I'd get the camera angle and do the job.

Visual artists use drones to capture beautiful new images and camera angles.

Biologically, I'm lucky - an angular face and dark colouring which shows up well on camera.

On July 20th, 1969, Buzz Aldrin and Neil Armstrong took the most expensive selfie in history. As the apex of an 8-year, $130 billion effort, they posed in front of a camera and took a shot designed to do one thing - to show our free enterprise democratic system was better than the rigid, authoritarian system that wanted to destroy us.

When I do an interview, when I appear on camera, I want to be the same person as the one you meet personally and say, 'He is really the same person I saw on television.'