"plot"タグの名言

Most of the movies are working like, 'Information, cut, information, cut, information, cut' and for them the information is just the story. For me, a lot of things [are] information - I try to involve, to the movie, the time, the space, and a lot of other things - which is a part of our life but not connecting directly to the story-telling. And I'm working on the same way - 'information, cut, information, cut,' but for me the information is not only the story.

Writing fiction is the act of weaving a series of lies to arrive at a greater truth.

I'm trying to undermine the basis of Christian belief... I'm not in the business of offending people. I find the books upholding certain values that I think are important, such as life is immensely valuable and this world is an extraordinarily beautiful place. We should do what we can to increase the amount of wisdom in the world. [Washington Post interview, 19 February 2001]

When all the details fit in perfectly, something is probably wrong with the story.

Story is honorable and trustworthy; plot is shifty, and best kept under house arrest.

Plot as such is not a major ingredient in my novels... it's often better to sail on the unconscious sea.

In our modern age, there are writers who have heaped scorn on the very idea of the primacy of story. I'd rather warm my hands on a sunlit ice floe than try to coax fire from the books they carve from glaciers.

There's an old rule of theater that goes, 'If there's a gun on the mantel in Act I, it must go off in Act III.' The reverse is also true.

The plot twist: us

I hate when people ask what a book is about. People who read for plot, people who suck out the story like the cream filling in an Oreo, should stick to comic strips and soap operas. . . . Every book worth a damn is about emotions and love and death and pain. It's about words. It's about a man dealing with life. Okay?

But, how do you know if an ending is truly good for the characters unless you've traveled with them through every page?

Reading a novel after reading semiotic theory was like jogging empty-handed after jogging with hand weights. What exquisite guilt she felt, wickedly enjoying narrative! Madeleine felt safe with a nineteenth century novel. There were going to be people in it. Something was going to happen to them in a place resembling the world. Then too there were lots of weddings in Wharton and Austen. There were all kinds of irresistible gloomy men.

The cliches are that it's the most generic Starsky and Hutch plot you can find.

In winter, I plot and plan. In spring, I move.