I'm not going to say that I'm perfect. I do have fashion crises.
Fashion will take on added stature one day, but try not to be stifled by it. You will learn, as you mature, to swap heels for Stan Smith trainers, minidresses for crisp white shirts. And you will never be one of those people who just roll out of bed.
At one time, I was very angry. I even treated fashion like a kind of crusade: you were either with us or against us, that kind of feeling. Now I know we need ideas, not kicking down a door.
Bill Cunningham... he knows fashion better than anybody.
To be honest, I used to hate shopping. I rarely left a store without crying, cursing my body, and swearing under my breath at the fashion industry.
I'm giving curvy women a seat at a table that we've never been invited to before - a table with high-end fashion people who have never considered us beautiful.
I don't think I have a sense of fashion. But I do have an aesthetic, which I feel is an offshoot of me working in the design industry. For example, if I am mixing and matching prints on my sofas and cushion covers, I tend to do that with my wardrobe as well.
The best fashion advice I'd say would be just to do what makes you comfortable and what makes you feel cute, and that's how you're gonna look your best 'cause when you feel your best, everybody else can feel it, too.
There is something very cyclical about the way fashion designers work. They work and work and work, the collection is finally shown, and after those 15 minutes, they must start over from the beginning. This is not unlike the way I work creating new dances.
It's important to dabble in things that interest you, and for me, I'm interested in the tech space that is here in Silicon Valley, fashion and golf.
So I'm definitely coming up in the entertainment world. Definitely a talk show down the line is my ultimate goal and you know, dabbling in fashion and entertainment.
When I got into high school, that's when I stated dabbling in fashion design. I got involved in the theater department's costume design and started to think that maybe I'd major in fashion design.
I was ten years old when my first 'Vogue' cover sang me its siren call and dashed me against the treacherous rocks of fashion obsession.
Apart from death and taxes, the one thing that's certain in this life is that I'll never be a fashion icon.
We use fashion for status and to beautify and there's nothing wrong with that, but when it becomes completely unbalanced, then you're living a decadent life. And when that happens on a global scale, you're living in a decadent world.
It's very important to me that I look good when I go out publicly. I like looking at my clothes rack in the morning and deciding what to pick out. I enjoy fashion.
Amplifying body-image issues, profiting from anxiety, and employing virtual slaves in sweatshops are bad enough, but the fashion industry is also actively hastening the destruction of the very Earth we walk on. It insists on launching fresh collections each season, declaring yesterday's range obsolete on a whim.
I'm not against asking the audience to work, but I think what you have now is a sort of gratuitous deconstruction as a result of a fashion of literary deconstructionism indicating that there are no meanings.
The whole scale and scope of the decorating and fashion business in this country are incomparably grander than in London. What's thrilling about America in general, and the New York fashion scene in particular, is its optimism. It makes the whole experience energizing and uplifting.
With its fluctuating forms and needless decoration, fashion epitomizes the supposedly unproductive waste that inspired 20th-century technocrats to dream of central planning. It exists for no good reason. But that's practically a definition of art.
